"Punjabi song raising peasant movement and resistance"

 

One of the two major references to world history is the official statement and the other is the public statement. Public opinion in Third World countries always seems to contradict official statements. The official statement, in order to deprive the people of their rights, has a history in front of the people which makes them realize their caste, not love for their land and not proud of their elders, but the angle from which any individual has his own soil and It is forced to think against the nation to such an extent that it can be easily used whenever it wants. This point of view is sometimes established on religious grounds and sometimes on the basis of some other external thought which has to do with the earth and not with the people of the soil. The Punjabi poetic tradition which started from Baba Farid has us in the religious elite of that time. Not visible in the political elite. Baba Guru Nanak (1539-1469) Bulla Shah (1680-1757) simultaneously resisted the religious and political establishment because these two classes were constantly robbing people of their rights, but apart from public discourse, these great poets and resistance fighters We do not see any official statement. Even after the occupation of the Punjab by the whites in 1849, the Punjabi resistance was crushed by the power of the sword, but the history was also wielded in such a way that the history of Punjab was introduced in this foreign language by implementing a new language in Punjab. Instead of being proud of his nation, the common Punjabi here began to feel ashamed. On the other hand, there is the public statement which is against the official statement. All the resistance characters of Punjab are traitors, robbers and thieves in the history of whites while in Punjabi folk they are heroes. The hero of the Punjabi language is ignorant and desolate in Urdu. That is why all the poetry written on the Jallianwala Bagh massacre was confiscated. Rai Ahmad Khan Kharal and Bhagat Singh, as many wars and double fishes, were written, they were safe in the breasts of Lokai and kept in their thoughts. Punjabi folk music always seems to go hand in hand with resistance, but it would not be wrong to say that the biggest weapon of resistance has been folk music.

Inside India, Punjabi farmers have been resisting the passage of three bills against farmers by the Modi government. Ever since, Punjabi songs and poems have been written and sung more than ever before. Even before a new chapter is being written, no movement has received as many songs as are destined for this movement. On the one hand, these songs are creating new enthusiasm and enthusiasm among the farmers, on the other hand, they are also fighting the case of the farmers all over the world. Whenever one looks at the history of the peasant movement, one will be amazed by the constant struggle and unity of the peasants, but he will not be able to forget these songs. As a reference to some songs that became part of the resistance movement!

Kanwar Grewal's title song "Announcement" Kanwar Grewal and Harf Cheema's song "Pecha Paya Gaya Center Naal" "Zinda Bad Ni Jawaniye" "Ithas", Ranjit Bawa's "Bolda Punjab" "Fateh Aa", Gippy Grewal's "Oppressive Governments", Rajveer Junda's "Sun Diliye", Harbhajan Mann's "Don't turn around, give it to the truth" Puriya and Dil Preet's "Kisan Tarana", Himmat Sindhu's "Asin Wadhan Ge", Andar Itwal's "Danda vs Khandha", Babu Mann's "Sardar Bolda", Ji Sindhu and Mani Sans Puri's "Silently Say" "Rebellions" by Jeezi B, Harj Nagra and Varinder Seema, "Nachhatar Gul and Deep Alachuria's" Arrogance for Your Sister's Heart ", Manmohan Waris, Kamal Heer, Sangtar's" Lions Surround Delhi ", Labh Heera, Girl's Akhtar, Deepak Dahlon and Sukhmani's "Jaag Kasana Uth Kasana" Jaskin Grewal and Deepak Dahlon's "Kasani Vibhag", Harsamran and Jeet Sindhu's "Lai Sun Kangana", Darshan Lakhiwala, Khushi Dugan and Saman Changal's "Gul Sun Diliye Ni", S Corps, Makhan Brar and Nima Work's "Watchman in Trouble" glue the Indian Punjab Cars are songs that millions have loved. On the other hand, the singers from Pakistani Punjab who are supporting the farmers through their songs include famous Pakistani singer Jawad Ahmed's "Kasana", Waqar Bhandar, Shehzad Sadhu, AR Wattoo and Mansoor Ahmed's "Punjab Pardhan" and AB Along with Chatha's "Rebel Punjab", these songs are increasing with each passing day.

All these songs are not only a clear indication of the success of Punjabi music and the Kisan Movement but also seem to prove the thesis that Punjabi folk music has always been the front line of resistance. Punjabi Sufis, whites and devotees who have resisted human freedom for the Bhagati movement with music and beautified the face of this earth, surely this wave seems to be moving in the same direction.